Dreamy, yet highly detailed and filled with representational images, these illustrations are in keeping with the story's mythic grandeur. Accompanying the dense, earnestly told tale are Lee's cool-toned watercolors, which frequently take up the greater portion of the large format double-page spreads. While carefully tempering the bias towards the Greeks that exists in the original poem, Sutcliff's text leaves many of the epic's powerful metaphors intact: ``The dark tide of warriors poured through and became a river of flame.'' Also preserved are a good many disturbing images (``Hector's body was dragged behind them, twisting and lurching over the rough ground, his dark hair flying and fouled with dust and all the filth of the battlefield'') and while there is no doubt that this authenticity maintains the saga's integrity and enhances its impact, younger or particularly sensitive readers may be disturbed by the violence. Here she brings into vivid focus the mythic story of the Trojan War, with all of its visually dramatic elements. 2018) incorrectly merged in Goodreads with Alan Lees later graphic novel adaptation from 2000 Newcomers to Homers Iliad will likely be surprised to read that it begins with Achilles quarrelling with Agamemnon. Sutcliff, who died last year, authored numerous retellings of canonical texts for younger readers. Excellent Iliad 101 Review of the paperback of Rosemary Sutcliffs (1920-1992) posthumous 1993 text-only original, currently (Nov.
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